Baroness Red & Blue Tour

Founded in 2003, Baroness is John Baizley (vocals/guitar), Gina Gleason (guitar), Nick Jost (bass) and Sebastian Thomson (drums). The Philadelphia-meets-Brooklyn foursome have released six full-length albums: STONE (2023), Gold & Grey (2019), Purple (2015), Yellow & Green (2012), Blue Record (2009), and the Red Album (2007). Throughout their career, they’ve garnered widespread acclaim, with the band’s albums regularly featured on year-end best of lists, and 2017 seeing their first GRAMMY® nomination. On their most recent album, STONE, Pitchfork said they “remain one of the most remarkable and capable bands at the intersection of heavy metal, hard rock, and psychedelia.” Brooklyn Vegan described the 10-song collection as “Baroness at their most alive and direct,” while Revolver added: “STONE… is a wild ride, full of triumphant sludge metal, and soaring, shoegazing progressive rock.”

Following their signing to Prosthetic Records and successful tours across both the West and East Coasts of the United States, Oakland, CA’s DAWN OF OUROBOROS are set to release their sophomore album, Velvet Incandescence, via the Los Angeles label on April 21.

Formed in 2018 by lead guitarist Tony Thomas (Botanist, Cailleach Calling) and vocalist Chelsea Murphy (Cailleach Calling, Tegmentum), the blackened progressive metal group’s formative years saw DAWN OF OUROBOROS solidify their core lineup to a five-piece before releasing their debut album, The Art of Morphology, in 2020. The Art of Morphology showcased the young band’s penchant for hybridising the extreme and canorous qualities of progressive, atmospheric black and death metal, ushering in a warm reception from both fans and critics.

Invigorated by the response to their debut album DAWN OF OUROBOROS came together in November 2021 to commence recording of Velvet Incandescence, once again opting to team up with Nick Loiacono at Fang Studios in San Mateo, CA for recording and mixing, before being mastered by Jack Shirley (Deafheaven, Oathbreaker, Bosse De Nage) at The Atomic Garden Studio. Placing an emphasis on melody and feel above technical virtuosity, Velvet Incandescence’s eight tracks revel in sanguine triumph both musically and lyrically.