Lobby Sessions is an up close & personal music series produced by Hotel Crocodile, featuring artists you already love & others you’ve yet to discover.
Forty Feet Tall: Forty Feet Tall has cemented their place in the scene as one of the PNW’s most exciting acts. With a steady release of singles paving the way for an LP this coming Spring, produced by Cameron Spies (Spoon Benders, Blackwater Holylight, The Shivas), they showcase a wide range of post-punk sounds that are both volatile and intimate. But the biggest buzz around the band is their live shows. Whether they’re opening for Shame, Frankie and the Witch Fingers, Wine Lips, or headlining themselves, the four members leave every single thing out on stage with gigs routinely ending in incendiary showstoppers that find the lead singer tangled up in mic cords or diving into the crowd.
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Nothing can substitute the experience of a live J. Graves show. With comparisons to Sleater-Kinney, Karen O, and Siouxsie And The Banshees, catching a J. Graves show became a goal for music denizens of the Northwest. Along her trajectory Graves annealed other talent with her drive and ideals. Kelly Cifton, perhaps the best bassist (and certainly the most exciting to watch), and the unassuming Aaron MacDonald, who would be a watchmaker --for his distinct timing and style, were he not a drummer.
You must be in front of the liquid rhythm section and pounding chords of the band to feel the blast. In performance Graves eyes roll furiously and her jawline sets as she contacts the emotion that produced her songs. She contorts herself around a fender slimline telecaster, and, in fits and starts, springs forth with contagious, inspiring performances.
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