In the two and a half decades since the release of their landmark second album Something to Write Home About, the four core members of The Get Up Kids — Matt Pryor, Jim Suptic, Rob Pope, and Ryan Pope — have explored side projects, helmed solo ventures, and held stints in high-profile bands. They’ve also started businesses, found spouses, and raised kids. Still, run into them on the streets of Lawrence, Kansas, these days, and you’ll find that — perhaps beneath a beard — each has retained the high-spirited, unwavering authenticity that fans stood feet from at basement shows before the band’s sophomore breakthrough.

Something to Write Home About has landed in a similar place: recognizable as the same electrifying, scrappy album it was upon release, but also transformed by time into one of the most seminal records of the band’s scene. And to mark 25 years since its arrival, The Get Up Kids will perform the album in full throughout a lengthy North American headline tour.

Released in September of 1999, Something to Write Home About has been established as an important late-millennium rock-and-roll document; a convergence of power pop, alternative rock, and punk, it provided the parameters for emo’s Midwest-centered second wave. Youthful yet assured, the album expands and refines the sound of the band’s 1997 debut Four Minute Mile. Amplified and acoustic guitars by Pryor and Suptic are coupled with keys and synths provided by former member James Dewees. Throughout, strings and celeste mesh with pop-indebted harmonies as the Pope Brothers’ rhythm section propels each song. The lyrics, carried primarily by Pryor’s pugnacious vocals, use relationships as a springboard to explore betrayal, conviction, and ambition. His plainspoken poetry is in turn direct and oblique, all kindling for fresh fires in addition to those already burning for decades of faithful listeners.

Today, Something to Write Home About still sounds like the lodestar it was for its fleet of followers, but it also retains something singular: an affecting, unaffected quality richer than its genre associations, bigger than its hooks, and deeper than mere twentysomething turmoil. And through emo’s reappraisals and revivals, the band–which now includes keyboard player Dustin Kinsey–has carried on, releasing albums, remaining friends, and playing all over the world.