Based in Northern California, the Hips headed to New Mexico, spending time at Ghost Ranch before settling in at Jono Manson’s Kitchen Sink studio in Sante Fe for sessions in late 2021. Self-produced, When We Disappear features nine new tracks co-written by co-founders Tim Bluhm and Greg Loiacono — collection of lit-psych rock songs Inspired by psychology and literature — as well as a raw, garagey cover of Buffy St. Marie’s 1964 addiction song “Codine.”

“Greg [Loiacono, co-founder) sent me a rough demo of this song and I thought it was promising,” says Hips co-founder Tim Bluhm of “When We Disappear.” “What he was singing was place-holder gibberish, or sounds mixed with some actual lyrics, including what would become the title. I went through it and matched words to his sounds and then tweaked the words to tell a kind of impressionistic history of our adventures together. In this way I believe both Greg’s and my own subconscious worlds revealed themselves. The music is simple and loose, helping with the devil-may-care attitude of the singing.”

Hailed by the San Francisco Chronicle as “one of the Bay Area’s most beloved live outfits,” The Mother Hips’ headline and festival performances have became the stuff of legend, finding them sharing stages with everyone from Johnny Cash and Wilco to Lucinda Williams and The Black Crowes. Rolling Stone called the band “divinely inspired,” while Pitchfork praised their “rootsy mix of 70’s rock and power pop,” and The New Yorker lauded their ability to “sing it sweet and play it dirty.”

With what PopMatters describes as "tenacious swagger," critically-acclaimed solo artist Ashleigh Flynn recently dialed up the volume and debuted an all-female rock band as a nod to the “Rosie the Riveter” archetype from WWII.

Flynn grew up in Kentucky and cut her teeth on local bluegrass music and Motown. A prolific songwriter and performer blessed with unbridled charisma, she arrived on the Americana scene in 2008 with the release of her third LP, American Dream, a poetic lament to the elusiveness of that national ethos. A Million Stars followed in 2013 – a rollicking journey celebrating the women pioneers of the American West.

Ashleigh Flynn & The Riveters’ inaugural LP hit the streets in 2018 featuring a sound that hearkens back to early Stones, ‘70s psychedelic country rock, and alternately charms like a Sunday afternoon front porch session. Produced by her longtime musical collaborator, Chris Funk of the Decemberists, the 10 original tracks feature Flynn’s soulful vocals and compelling brand of songwriting, amped-up and virtuously enveloped by the electric guitar work of Nancy Luca and Jenny Conlee on all manner of keys. Luca honed her style and skill playing with Tom Petty and Bo Diddley. Conlee hails from the Decemberists as well. The rhythm section boasts two additional highly-regarded Portland musicians: Jolie Clausen on drums and Carmen Paradise on bass.